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・ Georg Desmarées
・ Georg Detlev von Flemming
・ Georg Dieck
・ Georg Diederichs
・ Georg Dietrich Leyding
・ Georg Dionysius Ehret
・ Georg Donatus, Hereditary Grand Duke of Hesse
・ Georg Dragičević
・ Georg Drescher
・ Georg Dreyer
・ Georg Andreas Agricola
・ Georg Andreas Bull
・ Georg Andreas Böckler
・ Georg Andreas Helwing
・ Georg Andreas Kraft
Georg Andreas Sorge
・ Georg Andreas von Rosen
・ Georg Antholzer
・ Georg Anton Friedrich Ast
・ Georg Anton Rollett
・ Georg Anton Schäffer
・ Georg Anton Urlaub
・ Georg Anton von Rodenstein
・ Georg Apenes
・ Georg Arnold
・ Georg Arnold-Graboné
・ Georg Audenrieth
・ Georg August Goldfuss
・ Georg August Griesinger
・ Georg August Pritzel


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Georg Andreas Sorge : ウィキペディア英語版
Georg Andreas Sorge

Georg Andreas Sorge (21 March 1703 in Mellenbach, Thuringia – 4 April 1778) was an organist, composer, and, most notably, theorist. His references to Johann Sebastian Bach show that they were friends, and he composed three fugues for organ on the name BACH (BWV Anh. 107, 108 and 110). He joined Lorenz Christoph Mizler's Corresponding Society of Musical Sciences in 1747, just a month after Bach himself.
Sorge's writings on thorough-bass and harmony are very competent, and his theoretical grasp of unequal temperaments excelled even that of J. G. Neidhardt (though still taking comma as an indivisible unit of measure. He cited Bach as 'witness' that regular -comma meantone temperament was inadequate to 'modern' harmony, and he dismissed Johann Philipp Kirnberger's schemes of temperament as 'no good'.〔Boyd, Malcolm. ''Oxford Composer Companions: J.S. Bach'', Oxford University Press, 1999, p. 456〕
==See also==

*Schübler Chorales
More information about Sorge and equal temperament see: https://www.academia.edu/5210832/18th_Century_Quotations_Relating_to_J.S._Bach_s_Temperament

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